I was 6 when my parents moved from New York City to the remote village of Tungstee in Northern Saskatchewan, about 80 kilometres north of Edmonton.
They took me with them.
I spent a lot of time with my grandparents and my great-grandparents, my great aunt and uncle.
I remember watching movies and television with my parents, but also being told about the weather and other things by the people who lived there.
I was not yet a huge fan of the movies or TV shows.
In my mind, the whole world was a giant movie screen.
There were all the big stars, the stars in the movies, the big action sequences, and the big dramatic scenes.
The storyteller was always there to help us understand what was happening in the world.
The characters were the same in the storytellers’ eyes.
They were all good guys.
And when they got caught in the big big fight, it was always in the movie.
I have a very specific recollection of being fascinated by the big battles, the giant explosions, the crazy explosions, and I thought I could make movies about them.
So I started to think about how to do it.
I started making cartoons for a television program called “The Big Bang Theory.”
I had a great interest in the universe.
I had been watching it for a while.
So one day, I had an idea.
I wrote a comic book.
I went back to my drawing board and started drawing it, and then I went to work.
I made the first issue, and it went out in the mail, and now I’m a household name.
The book sold well.
The magazine sold well, too.
I thought, I have to do something else with my life.
So in 1971, I moved to London, England, to work at the National Gallery.
I got a job as a photojournalist at the London Evening Standard, where I photographed people who weren’t famous.
I found out about a new movie called “Spaceballs.”
I didn’t have a movie script in my head.
I did a sketch and a storyboard.
And it was one of those stories where there were two characters who were going to fight.
The one who was going to win was the Spaceball character, who was the most powerful character in the film.
I think it was called “Star Trek: The Motion Picture.”
I wanted to show the two characters and the fight, but I didn’st know what to do with it.
So, I wrote an outline of a scene that would have been in the script, and we got to the drawing board.
The scene was called, “Star Wars.”
I knew that it was going not just to be a movie, but to be an animated TV show.
I knew it would have to be filmed in London, because that’s where I lived at the time.
And I had no idea that it would be animated.
And so we were sitting in London on a Saturday night in 1972 and we were talking about the idea of making the animation, and suddenly a knock came on the door.
It was a little girl who came in with a toy box full of the first “Star War” movie.
And she put the box down and opened it up, and there was the original Star Wars poster.
It just blew my mind.
It wasn’t even a Star Wars movie.
It’s like a Star Trek poster.
And the girl said, I just saw this poster on TV, and this is what it was.
And as she said that, she turned to me and said, Oh, this is the movie!
I knew immediately that I had to make a movie about it.
The film, which is called “Attack of the Clones,” was made.
The two of us worked really hard to get it made.
We spent all our time at home.
We had to keep up with the budget, because we didn’t know what we were doing.
We were working with very little money.
And we had to build the sets, so that it looked right.
And then we had a crew of five people, who were working for five years on this project.
And each day we would do a shoot, a lot like a television show, and once we had the shot, we would go back to London and spend the next five days there shooting again, and doing more and more.
I’m sure we were spending $2 million or $3 million on each day.
It took us seven months to make “Attack,” and it took us a long time to do the final product.
I mean, we were so happy with it, we wanted to be famous, so we hired all these actors and actresses, and that was our life’s ambition.
But we had no budget for it.
We didn’t even have the money for the first film. We